“If you like moody, sometimes dark, folk music, punctuated by beautiful musicianship and artistry, then you will find nothing to dislike here.” —PopMatters
“Lien’s spectral fiddling proves hauntingly absorbing as it introduces the past to the future.” —The Washington Post
A virtuoso of Norwegian traditional music deeply inspired by the music of other cultures, fiddler Annbjørg Lien crosses musical borders as a pioneer for true “world music.” Khoom Loy, Thai for “Paper Lanterns,” is Lien’s eighth solo album and explores a broad spectrum of traditions ranging from her traditional Norwegian folk to Irish and Asian music, with Lien playing her native Hardanger fiddle as well as the keyed fiddle. Lien says of the album, “this is a tribute to a lovely ritual of the East: releasing lanterns in remembrance of the dead, or as a prayer for a good life. They serve as bridges connecting us to the past and the future, the east and the west, tradition and innovation.”
Steeped in the music of other cultures, Khoom Loy also represents a first for Lien—her world vocal debut to stunning and haunting effect, notably on the title track and “Den Storste Daarlighed,” which also offers a unique fusion of the Indian tabla with Celtic whistles. The album features Bjørn Charles Dreyer, Hans Fredrik Jacobsen, Bjørn Ole Rasch, Per Elias Drabløs, Per Hillestad, Orsa Spelmän, Kristiansand String Quartet, and Pat Broaders.
Winner of the Garmeleng Prize for classical folk and the Hilimar Award in her native Norway, Lien is also is a member of the world music fiddle group String Sisters (Mairéad Ní Mhaonaigh, Liz Knowles, Catriona MacDonald, Liz Carroll and Emma Härdelin) and has collaborated with American fiddler Bruce Molsky amongst many others. Lien comes from a musical family and learned traditional music from her father and classical music at the music school in Ålesund. She has since been teaching privately with other top musicians, as Hauk Buen from Telemark.