“They’re an all-French band who play Irish traditional music brilliantly.”—Frank McNally, The Irish Times
“A unique sound: energetic and full of emotion.” —Gérard Viel, Trad Mag
“To my knowledge, no French band has ever done a greater honor to Irish music. Doolin at once honors the musical tradition and makes it their own with a unique French touch.” —Garry West, Compass Records
Doolin’ is France’s premiere Celtic band and their self-titled debut for Compass Records is one of the freshest and most exciting Celtic records of the year. Natives of Toulouse, Doolin’ worked with legendary Irish guitarist John Doyle in the producer’s chair to achieve a sound uniquely their own—deeply rooted in traditional Celtic music but wonderfully flavored with French chanson, American roots music and even hip hop straight from the streets of Paris. The band traveled to Nashville, Tennessee to record the album and worked in the legacy studio now owned by Compass Records where the Outlaw Movement in country music took root in the late 1960s. The resulting experience infused DOOLIN’ with an infectious energy. The musical essence of the band is captured on the fiery “The Road to Gleanntan”, the gorgeous reflective character of “Le Dernier Kouign Amann”, the beautifully rendered Jacques Brel classic “Amsterdam”, with its evocative strains of accordion and French lyric, and culminates with the bold integration of rap and John Doyle’s percussive guitar style on Sinéad O’Connor’s “Famine”. Collaborations with special guests Jerry Douglas (Dobro), John Doyle (guitar, bouzouki), Alison Brown (banjo), and Kenny Malone (percussion) brought stellar results on stand out tracks that include a reworking of the Steve Earle classic “Galway Girl” and Bob Dylan’s “Ballad of Hollis Brown”.